Column: How to succeed in orgo without really trying
Neil Garg (left) teaches an organic chemistry class at UCLA.
Although my role at Physics Today has me writing about many areas of physics, I’m most in my element when I cover work at the interface between physics and chemistry. As I’ve written in this column before
Much of that richness, of course, comes from the chemistry of carbon. And this month, not for the first time, I wrote about an unusual phenomenon
Miller’s Diary
Physics Today editor Johanna Miller reflects on the latest Search & Discovery section of the magazine, the editorial process, and life in general.
That wasn’t my experience. But I wasn’t a typical orgo student. I took the class in my senior year, when I’d already taken not only the full complement of other advanced chemistry classes (orgo wasn’t formally a prerequisite for any of them, although it probably should have been) but also a major’s worth of math classes and no small amount of physics. I was used to viewing science as a framework of concepts, not a set of facts and procedures. There’s no way to learn topology, say, by just memorizing everything.
I instinctively approached orgo the same way, and it worked: All those reactions and mechanisms had a logic to them. Organic molecules are all made up of the same few elements—carbon, hydrogen, oxygen, and nitrogen, with occasional guest appearances by sulfur and the halogens—and there are only so many ways they can behave. In every arrangement of atoms and chemical bonds, the nuclei and electrons are dancing a version of the same dance. Once I internalized how the dance worked, I could look at a representation of a mechanism in my notes, visualize the dance steps in my head, and think, “Yes, that makes sense.” I spent a few hours doing that before each exam, and I aced all of them.
Looking back, I can point to concepts I’d learned in other classes that primed me for understanding the dance steps. I could conceptualize electrons as delocalized wavefunctions (quantum mechanics), visualize phenomena that are inherently three-dimensional (electricity and magnetism), consider symmetry (group theory), and build intuitive frameworks for things I couldn’t see and could at best approximately draw (pretty much every math class past calculus).
Believe it or not, this can all make sense.
But my biggest advantage, I think, was in realizing that there was a dance to be learned in the first place. No one had told me that—or let on that there was any more to the subject than memorization—so it seemed to me like a profound revelation at the time. The whole class seemed like a big trick question, presented as being about one thing when it was secretly about something else entirely, and success depended on realizing that on your own.
Nowadays, it looks like online