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Acoustical measurement of violins

JUL 01, 1968
Why are some violins better than others? Studies with modern electroacoustical techniques yield at least part of the answer and give us information that helps build good fiddles.

DOI: 10.1063/1.3035053

Carleen M. Hutchins
Francis L. Fielding

ACOUSTICAL EXAMINATIONS of the violin family extend over 200 of its more than 300 years but the instruments still defy analysis and complete understanding. The apparent simplicity of the problem is misleading; although the violin can be represented as merely a resonant air cavity in a wooden enclosure, driven by vibrating strings, the number of parameters to be determined for full analysis is very great.

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References

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  14. 14. E. Heron‐Allen, Violin making as it was and is, Ward Lock and Co. London and Melbourne (1885) also Carl Fischer, New York;
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  17. 17. C. M. Hutchins et al., see ref. 7;
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  20. 20. H. Meinel, see ref. 6 and ref. 9;
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  22. 22. F. Savart, see ref. 14.

  23. 23. R. L. Powell, K. A. Stetson, “Interferometric vibration analysis by wavefront reconstruction,” J. Opt. Soc. Am. 55, 1593 (1965); https://doi.org/JOSAAH
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  24. 24. C. M. Hutchins, “Founding a Family of Fiddles,” Physics Today 20, No. 2, (1967).https://doi.org/PHTOAD

More about the Authors

Carleen M. Hutchins. Catgut Acoustical Society.

Francis L. Fielding. ITT Avionics.

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This Content Appeared In
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Volume 21, Number 7

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